I Design Bags, Not Clothes… Here’s Why

I’ve always been a lover of fashion—shopping it, wearing it, studying it. And yes, even making it. Years ago, a girlfriend talked me into taking sewing lessons with her, and we dove headfirst into the world of couture with another friend who happened to be a professional seamstress.

What started as a weekly hobby quickly evolved. We weren’t just sewing anymore—we were mastering. We studied couture techniques and fell in love with the art of creating garments that fit like they were born on your body. I still remember the first Chanel-inspired jacket we attempted… weeks of precision, hand-stitching, frustration, and pride. The process was meticulous and deeply satisfying.

As with anything made by hand, we obsessed over the details—always hunting down the perfect fabrics and trimmings. Silks, bouclés, jacquards. The good stuff. It was pure creative joy.

Then came handbags.

Another girlfriend (yes, I have some very persuasive friends) said, “Let’s try making bags.” It didn’t take much convincing—I was all in.

We quickly discovered that, unlike clothes, handbags don’t require endless fittings or multiple samples just to get the right silhouette. But don’t be fooled—bag-making is no shortcut. It’s a different kind of challenge. One that demands its own techniques, tools, and a new way of thinking about construction and function.

What drew me in—and keeps me inspired to this day—was the detail work. A well-placed silk scarf on a minimal outfit. A striking image embroidered on the back of a jacket. The right accessory tells a story without saying a word. That’s the space I live in.

Handbags are little powerhouses of personal style. They hold your life—your essentials—and they do it with grace. Whether tossed casually over the shoulder or carefully placed on a table, they speak volumes.

That said, today’s luxury market is a noisy one. Logos are everywhere. Identity is loud. And while I have nothing against high fashion (I still treasure my vintage Louis Vuitton Keepall bought in Paris for $75—yes, you read that right), I find joy in creating something more personal, more grounded.

Do I think a $10,000 handbag is worth it? Depends who’s asking. I believe luxury should feel personal, not performative. And while replicas abound and branding reigns, there’s something beautifully quiet about carrying a piece that was made with intention—not mass-produced with a marketing plan.

So, I kept making handbags. And now here we are.

Our collection is about storytelling through texture, silhouette, and soul. Whether you lean minimal or maximal, whether your style is classic or wild, let our bags be the finishing touch—your punctuation mark. The cherry on top. Or better yet, the icing on your cake.

With love,
Carol
Stay inspired. Stay original. 💛